Architecture Choice or Fate
by Léon Krier
So, I'll confess to being a voracious reader and I've been offering book recommendations for years; however, I thought it time to offer a little more insight into why I find these resources valuable beyond the brief blurb with the addition of proper book reviews on this blog.
Initially, a word on the author Léon Krier. Curiously we've never met although I've been one degree of separation via dozens of colleagues. He is a very accomplished traditional urban planner and architect in his own right. However, I believe his legacy is being defined by his insightful books, lectures, essays. Along with Christopher Alexander, I firmly believe Léon will be remembered as the most accomplished architectural theorist of the 20th century (Sorry Le Corbusier, your ideas might have spread like a Utopian plague across the developed world but I'm only considering agents of positive change). If there is one advantage that I would tilt in Léon's favour is that his ideas are simply explained, accessible even to the architectural novice. Architecture Choice or Fate is laid out in this easy to understand language accompanied with humorous illustrations that effectively convey the spirit of his message.
Several chapters of the book are devoted to laying out how traditional architecture and town planning is entirely compatible and more importantly socially beneficial in the modern world. I would like to focus on two chapters of particular personal interest treating with a critique of Modernism and his appeal for traditional craft.
Critique of a Modernist Ideology
The Universal Usefulness of a Modern Craft Industry or the Fourth Industrial Revolution
The mere fact that Léon concludes his book with a chapter of the inherent value and necessity of traditional craft for any architecture that would be considered worthwhile, that recognition gives him high marks from me. Very few architects, even so-called traditional or classical architects, will acknowledge the material value or embrace the moral responsibility of an architecture that uplifts the human spirit not just in its appearance or use but in the vast multitudes physically tasked with its creation. Here he chastises two establishments who have suppressed traditional craft skills. First, the academically led institution of Historic Preservation that treats traditional architecture as an irreplaceable relic and in cultist adherence to the precepts of the Modernist principles laid out in the Venice Charter wastes funds and energy fetishising over ruins falling to dust. Léon offers a humane counter-perspective: "The value of ancient monuments does not reside in their material age but essentially in the quality of the ideas that they embody. An identical reconstruction with the same quality materials, forms and techniques that were used in the original has more value that an original in ruins...Unlike a painting by one irreplacable artist, a building is not usually a totally personal creation."
He further continues to unveil his criticisms against industrial ideology and their influence on public education policy in the Western world: "Neither the state nor industry will in future provide enough jobs to employ the utterly dependent, disoriented and confused masses released for work after fifteen years of obligatory theoretical and impractical general schooling. Ideally the goal of obligatory schooling should be to make people independent and reliant on their individual gifts and vocations rather than transforming them into dependent, passive and depressed masses...The supression of traditional craft skills represents a catastrophic impoverishment of human self-expression, a limitation of human capacity for independence and liberty."
There are of course several other chapters regarding town and city planning as well as traditional architecture that offer comparable insights. The entire work is characterised by a concern for the human spirit. In conclusion I would heartily recommend Architecture Choice or Fate as a masterfully organised, beautifully illustrated, and at under 200 pages an easy and manageable read that should be an obligatory addition for every craftsman's personal library.
Contributed by Patrick Webb